Showing posts with label composition. Show all posts
Showing posts with label composition. Show all posts

Techniques of the Contemporary Composer

Techniques of the Contemporary Composer
Schirmer | August 7, 1997 | English | PDF | 270 pages | 22.5 MB

This text is a practical guide to the compositional techniques, resources, and technologies available to composers today. Each chapter traces the development of traditional and modern elements that form the foundation of music in the late twentieth century. Among the subjects discussed are interval exploration, serialism, pitch-class sets, twelve-tone music, electronic music, algorithmic composition, and indeterminacy.

Based loosely on the author's earlier New Music Composition (Schirmer Books, 1977), this new book is designed to be a practical guide to the compositional techniques, resources, and technologies available to composers of the late twentieth and early twenty-first centuries. Indispensable as a ready reference for composers and scholars, Techniques is also an excellent introduction to the motives, ideas, and styles behind contemporary music. Beginning with a general survey of 19th century harmonic and melodic techniques, each chapter traces the development the traditional and modern elements that form the underpinning of music in the late twentieth century. Among the subjects discussed are interval exploration, serialism, pitch-class sets, and twelve tone as well as electronic music, algorithimic composition, indeterminacy, and much more. With a logical, step-by-step approach supplemented by over 300 musical examples and an extensive bibliography, Techniques of the Contemporary Composer is an excellent source for practicing composers and students of modern music alike. David Cope is professor of music at the University of California at Santa Cruz. He is the author of New Directions in Music and the composer of over eighty published musical pieces.

The Craft of Musical Composition - Book 1-2

The Craft of Musical Composition - Book 1-2
Schott | October 1, 1984 | English | PDF | 400 pages | 42.6 MB

Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Introductory * The Medium * The Nature of the Building Stones * Harmony * Melody * Analyses

The Jazz Language - A Theory Text for Jazz Composition and Improvisation

PATTERNS FOR JAZZ stands as a monument among jazz educational materials. Condensed charts and pertinent explanations are conveniently inserted throughout the book to give greater clarity to the application of more than 400 patterns built on chords and scales -- from simple (major) to complex (lydian augmented scales).



PDF 60 pages - 16.8 MB

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Arnold Schoenberg - Modelos para estudiantes de composición - Español

Arnold Schoenberg -Modelos para estudiantes de composición - Español
PDF - 18.8 MB


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Harmony for Computer Musicians

Michael Hewitt - Harmony for Computer Musicians
Publisher: Cоurse Tеchnology | 2010-06-07 | ISBN: 1435456726 | PDF | 256 pages | 9.46 MB

Home music producers now have access to a wide variety of software synthesizers, samplers, and FX devices on their computers -- devices that had previously been available only in expensive hardware forms. Although computer musicians often show a high degree of skill and expertise with the technology they use to produce their music, many mistakenly assume that this is all they need to produce quality tracks. Yet there is often a vital ingredient missing: a useful knowledge of the way the language of music actually works -- an understanding of the ingredients of music and how they are put together; what scales, chords, modes, and keys are; and the principles of arrangement, melody, and harmony. In other words, computer musicians may have learned how to use their instruments, but this does not necessarily mean that they know how to create professional-sounding music using those instruments. This book was written to help computer musicians grow in their knowledge of musical harmony, knowledge that is essential for the skilled creation of complex musical works. Topics include intervals, tonality and the key system, part writing, triads, tonic and dominant harmony, modulation, and modal interchange and harmony. Techniques are taught using the tools computer musicians are most familiar with. Rather than using a conventional score format, most of the materials are presented in the familiar piano roll format of computer music sequencing programs.

Ted Pease - Jazz Composition: Theory and Practice

Ted Pease - Jazz Composition: Theory and Practice
PDF/MP3 - 256 Pages - 105 MB

When you think of jazz composers, who comes to mind? Jelly Roll Morton, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Charles Mingus, Bob Brookmeyer. This book is about what they (and many others) do. Jazz composition has evolved into a disciplined art that often evidences great emotional depth and breadth of sophistication. Berklee College of Music legend Ted Pease demystifies the processes involved in writing jazz tunes and in composing episodic and extended jazz works. Jazz Composition: Theory and Practice is a by-product of Pease's 25 years of teaching jazz composition. The accompanying CD helps demonstrate melody, harmony and rhythmic elements of jazz and also includes a variety of music-writing exercises focused on learning these same elements to help you begin producing your own effective jazz compositions.

La Guía Orquesal de Computer Music

La Guía Orquesal de Computer Music
Spanish - PDF, Mp3, Midis - 11.5 MB

No es ningún secreto que la mayor parte de los contenidos de cm se centran en la música hecha con sintes, samplers, guitarras, baterías, bajos, voces y otras fuentes de sonido “contemporáneas”. Sin embargo, últimamente se ha progresado mucho en lo referente a colecciones de samples y ROMplers orquestales, permitiendo a cualquiera reunir, de forma efectiva, una orquesta completa dentro de su PC o Mac...pero tanta potencia requiere cierto grado de responsabilidad: no se trata de meter sonidos orquestales al tuntún. Hablamos de una colección de instrumentos orgánicos bastante compleja, que necesita ciertas reglas para ser aprovechada al máximo. ¡Si no te lo crees pregúntale a Mozart!
Teniendo esto en cuenta, estamos orgullosos de presentarte la guía orquestal de cm. Primero consideraremos cada instrumento de forma individual para entender cómo funciona por sí solo, antes de pasar a su uso en secciones y de forma combinada.
Finalmente montaremos un par de piezas completas. Esto te ayudará a utilizar tus samples
De ningún modo queremos dar a entender que una colección de samples –por muy sofisticada que sea– puede igualar la sutileza, grandiosidad y presencia de una orquesta real, pero puede acercarse. Tampoco vamos a utilizar una colección de samples demasiado completa, limitándonos a la de la librería Orquester Sound Bank de Reason, que es barata y accesible. Si no tienes Reason, no te preocupes. Todo lo que encontrarás aquí se puede cargar en cualquier sampler. Todos los ejemplos MP3 del archivo de apoyo se grabaron directamente desde Reason sin ningún procesado añadido y (a excepción de uno) sólo utilizamos patches de orquestales de forma efectiva, a la vez que te dará una buena base por si alguna vez tienes la oportunidad de ponerte a trabajar con una orquesta de verdad.Orquester Sound. Bank.

Composition for Computer Musicians

Composition for Computer Musicians
PDF - 237 Pages - 5.99 MB

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You might be extremely knowledgeable about the software that you use, have a good understanding of your own genre, and even have a good basic understanding of music theory. However, this does not necessarily mean that you can write effective music tracks. You need another kind of knowledge as well ? the knowledge of composition. This friendly guide explains the basics of composing songs and music on the computer using any music using any music creation and recording program, whether you choose Reason, Live, Cubase, Logic, Pro Tools, Digital Performer, Finale, Sibelius, FL Studio, SONAR, or anything else. It?s not as hard as it sounds, and this book eases the learning curve so you?ll be making music in no time. You?ll quickly learn how to program rhythm and drums, create basslines and melodic leads, and use FX and samples. You?ll also learn about mixing and mastering your track and distributing it to a mass audience. Composition for Computer Musicians explains it all while showing you the basics of music theory throughout so you?ll be sure you?re not just making noise on the computer ? you?re using your computer to make professional-sounding music.

The Larger Forms of Musical Composition

The Larger Forms of Musical Composition: An Exhaustive Explanation of the Variations, Rondos and Sonata Designs, for the General Student of Musical Analysis, and for the Special Student of Structural Composition
PDF - 231 Pages - 17.5 MB

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Nicolas Slonimsky - Thesaurus of scales and melodic patterns

Nicolas Slonimsky - Thesaurus of scales and melodic patterns
PDF - 257 Pages - 27.9 MB

Since its publication in 1947, great musicians and composers of all genres - from Arnold Schoenberg and Virgil Thomson to John Coltrane and Freddie Hubbard - have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation.

Creative Music Composition

Creative Music Composition
18.2 MB - 306 Pages

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Horace Silver - The Art of Small Jazz Combo Playing

Invaluable text outlining the "art" of combo playing from master leader, player, and composer, Horace Silver. Includes sections on jazz philosophy, group and solo playing, composing and arranging, the music business, and 7 of Horace's combo arrangements.










File:
PDF 30.7MB
Length:
36 Pages

Hearing and Writing Music: Professional Training for Today's Musician

A self-training manual as well as a classroom text, this book is a complete step-by-step course to develop the musician's ability to hear and notate any style of music. Personal training, thoery and exercises produce techniques which are combined in an integrated craft which may be applied to composition, orchestration, arranging, improvisation and performance.





File:
PDF 46.5MB
Length:
448 Pages

Arranging and Composing for the Small Ensemble (David Baker)

Product Description
This professional manual lets you share the secrets of David Baker's success. Baker explains his practical working techniques for piano trio, jazz quartet, four- and five-part writing, chord substitutions, voicings, bass patterns and much more.

Paperback: 176 pages
Publisher: Alfred Publishing Co., Inc.; Revised edition (January 1988)

PDF 4.53MB

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The Complete Arranger Composer (Russell Garcia)

This 171 page study stands the test of time "14 printings". This is a best selling text used by leading universities. It covers every aspect of arranging presented in a very methodical way. There are a very generous amount of study notes and of course musical examples. Most who have found this page probably already know this book and do not need a description. We always have this in stock and can ship it in a day or two after receiving the order.





File:
PDF 5.02 MB
Length:
172Pages