Showing posts with label harmony. Show all posts
Showing posts with label harmony. Show all posts

Connecting Chords with Linear Harmony

Connecting Chords with Linear Harmony
Hal Leonard Corporation | May 1, 1996 | English | PDF | 82 pages | 21.6 MB

A study of three basic outlines used in jazz improvisation and composition, based on a study of hundreds of examples from great jazz artists. The first two chapters cover Linear Harmony and Embellishing Devices. Armed with these you are now well equipped to explore `Outlines'. These are three basic melodic structures that turn up over and over again in jazz improvisation. The rest of the book is devoted to exploring how great players use these in practice in real solos. There are hundreds of examples of their creative use.

Dmitri Tymoczko, "A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice"

Dmitri Tymoczko, "A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice"
2011 | 480 pages | PDF | 7,4 MB

Product Description
How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords?

In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. In the process he sheds new light on an age-old question: what makes music sound good?

A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to music theory. The book shows how to construct simple diagrams representing relationships among familiar chords and scales, giving readers the tools to translate between the musical and visual realms and revealing surprising degrees of structure in otherwise hard-to-understand pieces.

Tymoczko uses this theoretical foundation to retell the history of Western music from the eleventh century to the present day. Arguing that traditional histories focus too narrowly on the "common practice" period from 1680-1850, he proposes instead that Western music comprises an extended common practice stretching from the late middle ages to the present. He discusses a host of familiar pieces by a wide range of composers, from Bach to the Beatles, Mozart to Miles Davis, and many in between.

A Geometry of Music is accessible to a range of readers, from undergraduate music majors to scientists and mathematicians with an interest in music. Defining its terms along the way, it presupposes no special mathematical background and only a basic familiarity with Western music theory. The book also contains exercises designed to reinforce and extend readers' understanding, along with a series of appendices that explore the technical details of this exciting new theory.

How to Read Music: Reading Music Made Simple (PDF/CD)

How to Read Music: Reading Music Made Simple (PDF/CD)
St. Martin's Griffin | October 22, 1999 | English | PDF/CD | 128 pages | 10 tracks (70 min.) | 192.2 MB

One of Europe's biggest selling music authors offers an oversize, boldly designed tutorial with CD that teaches how to read music for any instrument.

About the Author
Terry Burrows is one of Europe's biggest selling music authors--his Play Rock Guitar and Play Country Guitar have been published in 11 countries. Most recently the author of The Complete Book of the Guitar (Schirmer, 1998), he lives in Britain.

CD contents (MP3 format) Lesson 1 - Introducing Pitch Lesson 2 - Timing & Rhythm Lesson 3 - Keys & Scales Lesson 4 - Minor Scales Lesson 5 - Time & Tempo Lesson 6 - Intervals Lesson 7 - Harmonic Theory Lesson 8 - Groups & Phrases Lesson 9 - Non-Diatonic Scales Lesson 10 - Performance Issues

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Harmony and Voice Leading

Edward Aldwell, Carl Schachter and Allen Cadwallader, "Harmony and Voice Leading"
2011 | 736 pages | PDF | 21,1 MB

A clear and comprehensive volume spanning the entire theory course, the fourth edition of Harmony and Voice Leading begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. The fourth edition now includes a chapter introducing species counterpoint and integrates that material into the rest of the text. A new premium web site for students will provide interactive, guided exercises for new material covered in each unit. The instructor's companion site will include "Guidelines for Instructors," a new instructor's manual written by the authors.



Julio Bas - Tratado de la forma musical - Español

Julio Bas - Tratado de la forma musical - Español
PDF - 340 Pages - 112 MB

Part 1 - Part 2


Enric Herrera - Teoria Musical y Armonía Moderna Vol I - Español

Enric Herrera - Teoria Musical y Armonía Moderna Vol I - Español
PDF - 3.5 MB

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Harmony for Computer Musicians

Michael Hewitt - Harmony for Computer Musicians
Publisher: Cоurse Tеchnology | 2010-06-07 | ISBN: 1435456726 | PDF | 256 pages | 9.46 MB

Home music producers now have access to a wide variety of software synthesizers, samplers, and FX devices on their computers -- devices that had previously been available only in expensive hardware forms. Although computer musicians often show a high degree of skill and expertise with the technology they use to produce their music, many mistakenly assume that this is all they need to produce quality tracks. Yet there is often a vital ingredient missing: a useful knowledge of the way the language of music actually works -- an understanding of the ingredients of music and how they are put together; what scales, chords, modes, and keys are; and the principles of arrangement, melody, and harmony. In other words, computer musicians may have learned how to use their instruments, but this does not necessarily mean that they know how to create professional-sounding music using those instruments. This book was written to help computer musicians grow in their knowledge of musical harmony, knowledge that is essential for the skilled creation of complex musical works. Topics include intervals, tonality and the key system, part writing, triads, tonic and dominant harmony, modulation, and modal interchange and harmony. Techniques are taught using the tools computer musicians are most familiar with. Rather than using a conventional score format, most of the materials are presented in the familiar piano roll format of computer music sequencing programs.

Cesar A. De La Cerda - Armonia Tonal Moderna

Cesar A. De La Cerda - Armonia Tonal Moderna
PDF - 118 Pages - 4.26 MB

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Brian Waite - Modern Jazz Piano - A study in harmony

Brian Waite - Modern Jazz Piano - A study in harmony
PDF - 127 Pages - 2.20 MB

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Musicians Institute - Harmony & Theory

Musicians Institute - Harmony & Theory
PDF - 161 Pages - 15.4 MB

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Guide to the Practical Study of Harmony (Tchaikovsky, Pyotr Ilyich)

Guide to the Practical Study of Harmony (Tchaikovsky, Pyotr Ilyich)
PDF - 137 Pages - 6.35 MB

English version dervied from the German text of Paul Juon (1872–1940).

Written during the composer's years as professor at the Moscow Conservatory, this volume presents a clear and thorough introduction to the study of harmony. Out-of-print for decades and exceedingly rare in its original edition, Tchaikovsky's Guide to the Practical Study of Harmony bears an intrinsic historical interest. Features numerous examples and exercises.

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Harmony (Heinrich Schenker)

Harmony (Heinrich Schenker)
PDF - 359 Pages - 14.5 MB

Harmony, Heinrich Schenker's first published work, originally appeared in German in 1906 as "New Musical Theories and Phantasies, by an Artist." Its unusual title indicates what was to be the rationale of Schenker's lifework, that artistic problems call for artistic solutions. Schenker's dedication to the formulation of a complete musical theory above the commonplace theoretical discussions was, in essence, his quest for a pattern in nature for music as art. Schenker's theory draws upon a profound understanding of the works of the masters and every proposition is illustrated by a living musical example.

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Berklee College of Music - Harmony Vol. 1 to 4

Berklee College of Music - Harmony Vol. 1 to 4

Book 1
PDF - 78 Pages - 2.07 MB
Book 2
PDF - 66 Pages - 2.14 MB
Book 3
PDF - 61 Pages - 12.9 MB
Book 4
PDF - 62 Pages - 2.32 MB

Links

Harmony and Voice Leading

A comprehensive volume spanning the entire theory course, HARMONY AND VOICE LEADING begins with coverage of basic concepts of theory and harmony, and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. The first three Units of the book are designed to be taught sequentially, but instructors have the flexibility to teach the latter units in any combination and order they choose.

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Rimsky-Korsakov - Tratado práctico de armonía

"No pretendo de ningún modo que mi tratado sea perfecto, pero creo haber conseguido explicar, clara y concisamente, los dos temas fundamentales: la armonización de la melodía y la modulación, empezando, tanto para uno como para otro tema, con los procedimientos más simples, para encarar luego los más complicados." Rimsky-Korsakov

El presente tratado constituye un texto fundamental y necesario para todo estudiante de música pues presenta los problemas en forma sencilla y concreta, de tal manera que en poco tiempo puede llegarse a adquirir un perfecto dominio de esta ciencia, ciencia que establece el primer paso hacia la creación, los profundos estudios musicológicos y la crítica musical.
File:
PDF 13.4MB
Length:
158 Pages
Mirror 1 | Mirror 2


SPANISH VERSION

Walter Piston - Armonía

Este texto en lengua española, corresponde a la quinta edición (1987), revisada y ampliada por Mark De Voto, de este clásico tratado de armonía con el que se han formado generaciones de estudiantes de música.
El libro presenta, con la mayor brevedad posible, la práctica armónica común de los compositores de los siglos XVIII y XIX. Las reglas se presentan como observaciones informativas, sin intentar justificarlas sobre fundamentos estéticos o como leyes de la naturaleza. Con estos principios se consigue una rápida y lógica comprensión de la materia.
Su núcleo trata de forma exhaustiva un curso de armonía tonal, con numerosos ejemplos, la exposición de las distintas tendencias entorno al ritmo armónico, la estructura de la frase musical y los métodos analíticos.
La obra se conoce desde hace tiempo como libro de texto introductorio pero, debido a su carácter global, sirve también como libro de consulta tanto de profesores como de alumnos.
Walter Piston estudió en la Universidad de Harvard y en París fue alumno de Dukas. De 1944 a 1960 enseñó en la Cátedra de Música W. Naumberg de Harvard. Es uno de los compositores contemporáneos de los Estados Unidos más interpretados y ganó dos premios Pulitzer por sendas sinfonías.


SPANISH VERSION

File:
PDF 13.4MB
Length:
550 Pages